57 There Being No Answer To...

There being no answer to several repetitions of the summons, Ned began to grow impatient; and his little pot of passion quickly boiling over, he picked up a stone, with a naughty purpose to fling it through the window; at the same time blubbering and sputtering with wrath. A man--one of two who happened to be passing by--caught the urchin's arm.

58 "There Is Somebody At Home,"...

"There is somebody at home," affirmed the urchin on the threshold. "I heard a step!"

59 Phoebe First Tried The Shop-Door....

Phoebe first tried the shop-door. It did not yield to her hand; and the white curtain, drawn across the window which formed the upper section of the door, struck her quick perceptive faculty as something unusual. Without making another effort to enter here, she betook herself to the great portal, under the arched window. Finding it fastened, she knocked. A reverberation came from the emptiness within. She knocked again, and a third time; and, listening intently, fancied that the floor creaked, as if Hepzibah were coming, with her ordinary tiptoe movement, to admit her. But so dead a silence ensued upon this imaginary sound, that she began to question whether she might not have mistaken the house, familiar as she thought herself with its exterior.

60 "Oh, No, I Am Very...

"Oh, no, I am very weak!" replied Phoebe, trembling. "But tell me what has happened!"

61 "We Must Not Hide This...

"We must not hide this thing a moment longer!" said Phoebe. "It is dreadful to keep it so closely in our hearts. Clifford is innocent. God will make it manifest! Let us throw open the doors, and call all the neighborhood to see the truth!"

62 ...Was In This Hour, So...

And it was in this hour, so full of doubt and awe, that the one miracle was wrought, without which every human existence is a blank. The bliss which makes all things true, beautiful, and holy shone around this youth and maiden. They were conscious of nothing sad nor old. They transfigured the earth, and made it Eden again, and themselves the two first dwellers in it. The dead man, so close beside them, was forgotten. At such a crisis, there is no death; for immortality is revealed anew, and embraces everything in its hallowed atmosphere.

63 Nevertheless, Creeping Darkly Through The...

Nevertheless, creeping darkly through the places which this excellent person had haunted in his lifetime, there was a hidden stream of private talk, such as it would have shocked all decency to speak loudly at the street-corners. It is very singular, how the fact of a man's death often seems to give people a truer idea of his character, whether for good or evil, than they have ever possessed while he was living and acting among them. Death is so genuine a fact that it excludes falsehood, or betrays its emptiness; it is a touchstone that proves the gold, and dishonors the baser metal. Could the departed, whoever he may be, return in a week after his decease, he would almost invariably find himself at a higher or lower point than he had formerly occupied, on the scale of public appreciation. But the talk, or scandal, to which we now allude, had reference to matters of no less old a date than the supposed murder, thirty or forty years ago, of the late Judge Pyncheon's uncle. The medical opinion with regard to his own recent and regretted decease had almost entirely obviated the idea that a murder was committed in the former case. Yet, as the record showed, there were circumstances irrefragably indicating that some person had gained access to old Jaffrey Pyncheon's private apartments, at or near the moment of his death. His desk and private drawers, in a room contiguous to his bedchamber, had been ransacked; money and valuable articles were missing; there was a bloody hand-print on the old man's linen; and, by a powerfully welded chain of deductive evidence, the guilt of the robbery and apparent murder had been fixed on Clifford, then residing with his uncle in the House of the Seven Gables.

64 ...Artist Put His Finger On...

The artist put his finger on the contrivance to which he had referred. In former days, the effect would probably have been to cause the picture to start forward. But, in so long a period of concealment, the machinery had been eaten through with rust; so that at Holgrave's pressure, the portrait, frame and all, tumbled suddenly from its position, and lay face downward on the floor. A recess in the wall was thus brought to light, in which lay an object so covered with a century's dust that it could not immediately be recognized as a folded sheet of parchment. Holgrave opened it, and displayed an ancient deed, signed with the hieroglyphics of several Indian sagamores, and conveying to Colonel Pyncheon and his heirs, forever, a vast extent of territory at the Eastward.

Pages 57 to 64 of The House of the Seven Gables by Nathaniel Hawthorne