Zenobia and Hollingsworth went next, in close contiguity, but not with arm in arm. Now, just when they had passed the impending bough of a birch-tree, I plainly saw Zenobia take the hand of Hollingsworth in both her own, press it to her bosom, and let it fall again!
There was likewise another subject hardly less fruitful of speculation. In what attitude did Zenobia present herself to Hollingsworth? Was it in that of a free woman, with no mortgage on her affections nor claimant to her hand, but fully at liberty to surrender both, in exchange for the heart and hand which she apparently expected to receive? But was it a vision that I had witnessed in the wood? Was Westervelt a goblin? Were those words of passion and agony, which Zenobia had uttered in my hearing, a mere stage declamation? Were they formed of a material lighter than common air? Or, supposing them to bear sterling weight, was it a perilous and dreadful wrong which she was meditating towards herself and Hollingsworth?
"I have the funds--as much, at least, as is needed for a commencement--at command," he answered. "They can be produced within a month, if necessary."
"She!--the beautiful!--the gorgeous!" I exclaimed. "And how have you prevailed with such a woman to work in this squalid element?"
"What's in the wind now, Miles?" asked one of them. "Are you deserting us?"
"Do you wish me," I said to Zenobia, "to announce in town, and at the watering-places, your purpose to deliver a course of lectures on the rights of women?"
"No summer ever came back, and no two summers ever were alike," said I, with a degree of Orphic wisdom that astonished myself. "Times change, and people change; and if our hearts do not change as readily, so much the worse for us. Good-by, Priscilla!"
Bewitching to my fancy are all those nooks and crannies where Nature, like a stray partridge, hides her head among the long-established haunts of men! It is likewise to be remarked, as a general rule, that there is far more of the picturesque, more truth to native and characteristic tendencies, and vastly greater suggestiveness in the back view of a residence, whether in town or country, than in its front. The latter is always artificial; it is meant for the world's eye, and is therefore a veil and a concealment. Realities keep in the rear, and put forward an advance guard of show and humbug. The posterior aspect of any old farmhouse, behind which a railroad has unexpectedly been opened, is so different from that looking upon the immemorial highway, that the spectator gets new ideas of rural life and individuality in the puff or two of steam-breath which shoots him past the premises. In a city, the distinction between what is offered to the public and what is kept for the family is certainly not less striking.